Ginsberg and Roth Choosing Their Own Judaism :: Allen Ginsberg

Ginsberg and Roth Choosing Their Own Judaism I take these things for granted. Tradition and cultural consciousness to me is another thing I can shrug off alike too much homework. To my generation its fashionable to embrace other customs dutys mendhi tattoos for the Italians, matzoh ball soup for the Pakistanis, McDonalds for the Nigerians. When did we learn to borrow from every adept else? When did I learn to shape up to terms with my stimulate identity? The Civil Rights movement started it all. In vigorous succession, Asians demanded recognition, Native Americans wanted to carve a place back into their country, women wanted to burn their bras. why not the Jews in America? Allen Ginsberg used his witness tradition and his fathers death to establish that identity, while Philip Roth used a assumed narrative to tell the story of a Jewish family in America. Why compare these works at all? Both are productive accounts of Jewish American culture, one through and through poetr y and one through a fictionalized self. Both use Judaism to express feeling to either tradition or memory. Both are literary works in the mid-sixties that deal with Jewish self-identity rather than black, white, or other identities. But Im getting ahead of myself... Allen Ginsberg says his own work Kaddish is finally, completely free composition, the long withdraw breaking up within itself into short staccato breath units - notations of one spontaneous phrase after another... (Allen 417). Kaddish is a prayer of atonement, making its plosive consonant through rhythm, repetition and incantation. Ginsberg uses Kaddish to express his understanding of his own identity, and also to arrogate that identity into the framework of Judaism. Ginsbergs mother Naomi went through a series of amiable hospitals and psychological outbreaks from Ginsbergs childhood, eventually receiving a lobotomy and dying shortly thereafter. The Ginsberg family never held a traditional Kaddish because too few me n were present to do so. Two years later, Ginsberg performed the ceremony with then friend Zev Putterman, and later wrote his own version of Kaddish (Asher). He starts his Kaddish incanting the spirit of Naomi by pulling up memories of her and her identity. I walk toward the / Lower East Side - where you walked fifty years ago, micro / girl - from Russia, eating the first poisonous tomatoes of / America - frightened on the dock (Allen 195). In Part IV, Ginsberg then goes on to chant to his mother with the phrases O mother, with your, and with your eyes.